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supported by 18 fans who also own “No One's To Blame”
This is the first album I found that really spoke to me as a young fem. From the simplicity, the bass drum, specifically in landfill is so steady and soothing. I love landfill because it perfectly portrays trauma bonds, sexual or romantic relationships rooted in power imbalance. Being led on, unrequited love, constantly being clueless if someone is a real friend, or a lover. Are they yours or are they ruthlessly rogue. Untameable. Love and hate are such similar feelings, and they often mingle.
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supported by 16 fans who also own “No One's To Blame”
Hi, my name is Tommy and I live in Sweden. I have bought your album. It is innovative and different. But at the same time very good!
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Roll the Bones
by Shakey Graves
supported by 15 fans who also own “No One's To Blame”
Eu gosto tanto desse disco, que já comprei ele duas vezes!
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Tense, moody, guitar-forward songs from VanWyck that emphasize tension and fragility.
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Meet Me at the River
by Dawn Landes
On “Meet Me By the River,” Dawn Landes’s self-described “Nashville record,” buoyant country melodies settle deep into lush instrumentation.
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Here in the Pitch
by Jessica Pratt
On her fourth album, Jessica Pratt blends up 60s pop and bossa nova into a spooky mix of soft psychedelia.
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supported by 13 fans who also own “No One's To Blame”
savior complex makes my stomach feel full when i forgot to have breakfast
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